The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 69
The Poietic Arts Aristotle ' s Poetics is neither in intention nor in fact an art of
poetry ; its only purpose is to define poièsis such as it actually exists . This
treatise , neglected for a long time by the philosophers because it did not deal
with the ...
The Poietic Arts Aristotle ' s Poetics is neither in intention nor in fact an art of
poetry ; its only purpose is to define poièsis such as it actually exists . This
treatise , neglected for a long time by the philosophers because it did not deal
with the ...
Pagina 70
Where Aristotle speaks of “ poetics itself and its species ” ( 1447 a8 ) we translate
by “ poetry ” considered as " the art in ... Moreover , the word “ art ” ( tékhnè ) is
certainly part of Aristotle ' s vocabulary ( 1447 a20 ) , but he uses it much less ...
Where Aristotle speaks of “ poetics itself and its species ” ( 1447 a8 ) we translate
by “ poetry ” considered as " the art in ... Moreover , the word “ art ” ( tékhnè ) is
certainly part of Aristotle ' s vocabulary ( 1447 a20 ) , but he uses it much less ...
Pagina 73
This close union of the natural pleasure of imitating with the equally natural
pleasure of learning is at the center of Aristotle ' s poetics . Still , he obviously
could not help wondering what pleasure imitation can give when what the work
imitates ...
This close union of the natural pleasure of imitating with the equally natural
pleasure of learning is at the center of Aristotle ' s poetics . Still , he obviously
could not help wondering what pleasure imitation can give when what the work
imitates ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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