The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 43
... abstract art precisely ex- presses the decision , made by certain artists , to turn out works whose beauty will obviously owe nothing to that of the subject . But such drastic decisions solve one difficulty only to create new ones , for ...
... abstract art precisely ex- presses the decision , made by certain artists , to turn out works whose beauty will obviously owe nothing to that of the subject . But such drastic decisions solve one difficulty only to create new ones , for ...
Pagina 122
... art , through the Middle Ages and reaching their high point with the Italian Renaissance , sculpture and painting ... abstract ” art , painters stopped representing anything , or rather , they systematically eliminated from their ...
... art , through the Middle Ages and reaching their high point with the Italian Renaissance , sculpture and painting ... abstract ” art , painters stopped representing anything , or rather , they systematically eliminated from their ...
Pagina 166
... art itself ; rather , it was teaching , representation , imagery . It is therefore a mistake to drag sacred art into the debate on abstract art , as though the artist had to make a choice which is not even given to the Church . Sacred art ...
... art itself ; rather , it was teaching , representation , imagery . It is therefore a mistake to drag sacred art into the debate on abstract art , as though the artist had to make a choice which is not even given to the Church . Sacred art ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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