The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 93
... already determined matter which they intend to submit to further formal determinations of an entirely different order . The block of wood , the lithographer's stone or the copper sheet used by engravers are materials already determined ...
... already determined matter which they intend to submit to further formal determinations of an entirely different order . The block of wood , the lithographer's stone or the copper sheet used by engravers are materials already determined ...
Pagina 94
... already informed , otherwise , since being proceeds from form , those elements would be nothing . The form of the artifact is then superimposed , so to speak , by the artist on the natural forms of the material substances he uses ...
... already informed , otherwise , since being proceeds from form , those elements would be nothing . The form of the artifact is then superimposed , so to speak , by the artist on the natural forms of the material substances he uses ...
Pagina 100
... already been solved for them by others , they themselves are practically infallible . Camille Saint - Saëns said of one of them that he produced “ inde- structible futility . ” That is the triumph of finality without inven- tion and of ...
... already been solved for them by others , they themselves are practically infallible . Camille Saint - Saëns said of one of them that he produced “ inde- structible futility . ” That is the triumph of finality without inven- tion and of ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write