The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 13
If art is not knowledge , but something else , then all those who hold it to be a
certain mode of cognition will inevitably decry as anti - intellectual any philosophy
of art that simply describes art such as it is . Hence the recent protests raised ...
If art is not knowledge , but something else , then all those who hold it to be a
certain mode of cognition will inevitably decry as anti - intellectual any philosophy
of art that simply describes art such as it is . Hence the recent protests raised ...
Pagina 82
Intelligence is everywhere present and operative in art , but whatever there is of
cognition in art belongs in an order other than that of knowledge . It is knowledge
in view of a work to be made , and not knowledge sought for its own sake or for ...
Intelligence is everywhere present and operative in art , but whatever there is of
cognition in art belongs in an order other than that of knowledge . It is knowledge
in view of a work to be made , and not knowledge sought for its own sake or for ...
Pagina 84
Indeed , the mind differs from man by the excess of cognition which it must
sacrifice to achieve action . Hence in the work of Valéry the myth of Leonardo da
Vinci is well chosen as the symbol of a sovereign thought , so perfectly master of
its ...
Indeed , the mind differs from man by the excess of cognition which it must
sacrifice to achieve action . Hence in the work of Valéry the myth of Leonardo da
Vinci is well chosen as the symbol of a sovereign thought , so perfectly master of
its ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write