The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 11
... colors . In short , Whistler resorted to composition in order to convey that mood , and composition is the most important element contributing to " the expressive quality of a painting . " ” 2 Now , it would no doubt be a great ...
... colors . In short , Whistler resorted to composition in order to convey that mood , and composition is the most important element contributing to " the expressive quality of a painting . " ” 2 Now , it would no doubt be a great ...
Pagina 67
... colors or sounds cannot symbolize feelings as well as the words which designate them . They do it even better , for the work of art , especially in poetry and music , can suggest emotions of a variety , fluidity and delicacy which words ...
... colors or sounds cannot symbolize feelings as well as the words which designate them . They do it even better , for the work of art , especially in poetry and music , can suggest emotions of a variety , fluidity and delicacy which words ...
Pagina 164
... colors . By virtue of that decision , Christ , the Blessed Virgin , the angels , the apostles , the prophets and all the saints became the subject matter of a sacred teaching entrusted to artists . It was not the question of a ...
... colors . By virtue of that decision , Christ , the Blessed Virgin , the angels , the apostles , the prophets and all the saints became the subject matter of a sacred teaching entrusted to artists . It was not the question of a ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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