The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 59
ART AS CREATIVE INTUITION These difficulties , and others , encourage some
philosophers to emphasize invention rather than imitation , but because they still
want art to remain a cognition , they conceive it as an intuition creating its object .
ART AS CREATIVE INTUITION These difficulties , and others , encourage some
philosophers to emphasize invention rather than imitation , but because they still
want art to remain a cognition , they conceive it as an intuition creating its object .
Pagina 98
Etienne Gilson. as has been said , the psychological observation of artistic
creation necessarily expresses in terms of cognition what is really a production .
Art and the science of art are heterogeneous . One of the principal causes of
obscurity ...
Etienne Gilson. as has been said , the psychological observation of artistic
creation necessarily expresses in terms of cognition what is really a production .
Art and the science of art are heterogeneous . One of the principal causes of
obscurity ...
Pagina 140
This is why the philosophical implications of art are a necessary complement to a
philosophy of being ; indeed , to meditate on the paradox of art - an analogical
image of what true creation might be — may prepare the mind for the notion , so ...
This is why the philosophical implications of art are a necessary complement to a
philosophy of being ; indeed , to meditate on the paradox of art - an analogical
image of what true creation might be — may prepare the mind for the notion , so ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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