The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 89
The critic does write to inform a certain public , whose taste he knows , of the
degree of satisfaction they can expect to derive from such and such a ... It is even
useful , for just as we all have authors we prefer , so also we have critics we
prefer .
The critic does write to inform a certain public , whose taste he knows , of the
degree of satisfaction they can expect to derive from such and such a ... It is even
useful , for just as we all have authors we prefer , so also we have critics we
prefer .
Pagina 146
It is hardly possible to speak about these problems without implicitly raising the
issue of art criticism . ... True , the critic sometimes writes with disconcerting self -
confidence , but this need of asserting his own authority is more an indirect ...
It is hardly possible to speak about these problems without implicitly raising the
issue of art criticism . ... True , the critic sometimes writes with disconcerting self -
confidence , but this need of asserting his own authority is more an indirect ...
Pagina 147
In literary criticism there are words about words , but in this case too the tool of
interpretation is of different nature than the thing interpreted . In using writing to
comment upon written works , the critic employs language in a natural way , he ...
In literary criticism there are words about words , but in this case too the tool of
interpretation is of different nature than the thing interpreted . In using writing to
comment upon written works , the critic employs language in a natural way , he ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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