The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 15
A painting can represent any object , a poem can teach philosophy as Lucretius '
On Nature , or agriculture as the Georgics of Virgil , or theology as Dante ' s
Divine Comedy . The fact remains that every ingredient entering the composition
of a ...
A painting can represent any object , a poem can teach philosophy as Lucretius '
On Nature , or agriculture as the Georgics of Virgil , or theology as Dante ' s
Divine Comedy . The fact remains that every ingredient entering the composition
of a ...
Pagina 59
Doctrines of this kind betray noticeably the influence of traditional Christian
theology , which considers the divine Ideas as belonging to " practical knowledge
. In God an Idea is a cognition with a view to action . This modification of the
doctrine ...
Doctrines of this kind betray noticeably the influence of traditional Christian
theology , which considers the divine Ideas as belonging to " practical knowledge
. In God an Idea is a cognition with a view to action . This modification of the
doctrine ...
Pagina 60
Therefore the divine Ideas truly are creative intuitions , but man has no Ideas ,
only concepts , some which he forms by abstracting from material objects the
notions of their essences , others that are so many projects of possible things to
be ...
Therefore the divine Ideas truly are creative intuitions , but man has no Ideas ,
only concepts , some which he forms by abstracting from material objects the
notions of their essences , others that are so many projects of possible things to
be ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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