The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 66
By saying that a work symbolizes the representations or emotions it causes within
us , we may hope to reduce to one the two separate fields of science and art .
Indeed , the notion of symbol can be applied to language , whose words express
...
By saying that a work symbolizes the representations or emotions it causes within
us , we may hope to reduce to one the two separate fields of science and art .
Indeed , the notion of symbol can be applied to language , whose words express
...
Pagina 67
They do it even better , for the work of art , especially in poetry and music , can
suggest emotions of a variety , fluidity and delicacy which words are unable to
express . How would language convey the subtle variations of mood stirred in us
by ...
They do it even better , for the work of art , especially in poetry and music , can
suggest emotions of a variety , fluidity and delicacy which words are unable to
express . How would language convey the subtle variations of mood stirred in us
by ...
Pagina 68
Speaking quite generally , it is still harder to match distinct sensible symbols with
corresponding emotions , the main reason for the difficulty being the natural
vagueness of such emotional states . A symbolic language of human emotions ...
Speaking quite generally , it is still harder to match distinct sensible symbols with
corresponding emotions , the main reason for the difficulty being the natural
vagueness of such emotional states . A symbolic language of human emotions ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write