The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 13
... fact that he can say but little about them ( since they are princi- ples ) does not authorize him to overlook them or to mistake them for other notions . This is why it has seemed useful to recall the very essence of art conceived in ...
... fact that he can say but little about them ( since they are princi- ples ) does not authorize him to overlook them or to mistake them for other notions . This is why it has seemed useful to recall the very essence of art conceived in ...
Pagina 14
... fact that for man to do or to make is the same thing as to know . Nor does it follow even in cases when that which has to be made is the expression of knowledge . A book of philosophy , or of science , or of history needs to be made ...
... fact that for man to do or to make is the same thing as to know . Nor does it follow even in cases when that which has to be made is the expression of knowledge . A book of philosophy , or of science , or of history needs to be made ...
Pagina 19
... fact that , although it requires knowledge and action , man's ability to make derives directly from his act of being . Man as capable of making ( homo faber ) is first a making being ( ens faber ) , because his activity as a craftsman ...
... fact that , although it requires knowledge and action , man's ability to make derives directly from his act of being . Man as capable of making ( homo faber ) is first a making being ( ens faber ) , because his activity as a craftsman ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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