The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 96
FUNCTIONS OF THE FORM All these reflections begin or end with form . What is
form ? Taken in its most ... This unifying function of form is its distinctive
characteristic ; it is also what makes it difficult to delimit the notion exactly . “ One ”
is a ...
FUNCTIONS OF THE FORM All these reflections begin or end with form . What is
form ? Taken in its most ... This unifying function of form is its distinctive
characteristic ; it is also what makes it difficult to delimit the notion exactly . “ One ”
is a ...
Pagina 146
Etienne Gilson. It is hardly possible to speak about these problems without
implicitly raising the issue of art criticism . It is a dangerous ground , first of all
because it inevitably involves those very same writers whose function is to judge
writings .
Etienne Gilson. It is hardly possible to speak about these problems without
implicitly raising the issue of art criticism . It is a dangerous ground , first of all
because it inevitably involves those very same writers whose function is to judge
writings .
Pagina 173
Its only function is to instruct me , to remind me of something and to stir religious
emotions in me . The image makes me look within myself for the object of my
piety , to which I am directed through my apprehension of the work . Here again
too ...
Its only function is to instruct me , to remind me of something and to stir religious
emotions in me . The image makes me look within myself for the object of my
piety , to which I am directed through my apprehension of the work . Here again
too ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write