The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 48
TALENT AND GENIUS Let us now turn from the corollaries related to esthetic
experience to those that concern the philosophy of art . Metaphysical notions are
most abstract , and they must be so . As such they exclude imagination , but even
...
TALENT AND GENIUS Let us now turn from the corollaries related to esthetic
experience to those that concern the philosophy of art . Metaphysical notions are
most abstract , and they must be so . As such they exclude imagination , but even
...
Pagina 49
This can be observed , for instance , in the commonly recognized distinction
between talent and genius . Because there exist works which , by the degree and
still more by the nature of their excellence , seem to belong to a restricted and ...
This can be observed , for instance , in the commonly recognized distinction
between talent and genius . Because there exist works which , by the degree and
still more by the nature of their excellence , seem to belong to a restricted and ...
Pagina 50
It is at this level that the kind of “ philosophy of art " practiced by Taine finds its
value , but talent and genius do not differ in this respect . What makes it possible
to distinguish them is not what they borrow , but the way in which they borrow .
It is at this level that the kind of “ philosophy of art " practiced by Taine finds its
value , but talent and genius do not differ in this respect . What makes it possible
to distinguish them is not what they borrow , but the way in which they borrow .
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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