The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 42
With respect to artists , it makes it possible for those who lack the power to create
beauty at least to give themselves the pleasure of more or less freely reproducing
that of nature . That is not a despicable activity , the more so since by devoting ...
With respect to artists , it makes it possible for those who lack the power to create
beauty at least to give themselves the pleasure of more or less freely reproducing
that of nature . That is not a despicable activity , the more so since by devoting ...
Pagina 70
He gives the word the very meaning we do in the expression “ arts and trades , ”
except that he includes within it what we call “ art , ” or the fine arts . Finally — and
the point is of importance - Aristotle does not differentiate the arts on the basis ...
He gives the word the very meaning we do in the expression “ arts and trades , ”
except that he includes within it what we call “ art , ” or the fine arts . Finally — and
the point is of importance - Aristotle does not differentiate the arts on the basis ...
Pagina 80
... kinds of painting entail a considerable amount of imitation , and since the
resemblance in such works easily reaches a sufficient degree of accuracy for the
objects to be recognizable , they give at least the kind of pleasure one finds in
seeing ...
... kinds of painting entail a considerable amount of imitation , and since the
resemblance in such works easily reaches a sufficient degree of accuracy for the
objects to be recognizable , they give at least the kind of pleasure one finds in
seeing ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write