The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 53
... IDEAL Among the popular notions related to art none has created more confusion in the minds of artists , as well as of the public , than that of the ideal . The " ideal Beauty , " the ideal in art , these formulas and others like them ...
... IDEAL Among the popular notions related to art none has created more confusion in the minds of artists , as well as of the public , than that of the ideal . The " ideal Beauty , " the ideal in art , these formulas and others like them ...
Pagina 54
... ideal in the real . True enough , but if we attempt to define the nature of ideal beauty and to relate it to real beauty , we find we cannot do it . To do justice to Gounod's formula , let us rather say that the object of art is to turn ...
... ideal in the real . True enough , but if we attempt to define the nature of ideal beauty and to relate it to real beauty , we find we cannot do it . To do justice to Gounod's formula , let us rather say that the object of art is to turn ...
Pagina 58
... ideal beauty which his art had to achieve . To solve this new problem , some artists decided that previous artists had already solved it , so that to take them for models would be , through their works , to imitate the ideal beauty that ...
... ideal beauty which his art had to achieve . To solve this new problem , some artists decided that previous artists had already solved it , so that to take them for models would be , through their works , to imitate the ideal beauty that ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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