The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 30
... inasmuch as it actually is , for to be in potency only is not yet to be ; in actualizing itself , being realizes itself while at the same time it reaches its perfection , then being at once made and made perfect . In addition , these ...
... inasmuch as it actually is , for to be in potency only is not yet to be ; in actualizing itself , being realizes itself while at the same time it reaches its perfection , then being at once made and made perfect . In addition , these ...
Pagina 66
... inasmuch as he is not an artist . A man is not an artist when he feels so sorry that he actually cries , but when an actor pretends to cry in order to signify sorrow , he is indeed an artist , precisely because he does not feel sorrow ...
... inasmuch as he is not an artist . A man is not an artist when he feels so sorry that he actually cries , but when an actor pretends to cry in order to signify sorrow , he is indeed an artist , precisely because he does not feel sorrow ...
Pagina 169
... inasmuch as it tends to the image considered as a thing in itself , for instance this painting and this statue ; second , inasmuch as it tends toward the image considered qua image . If we consider it as a thing , namely a painting or a ...
... inasmuch as it tends to the image considered as a thing in itself , for instance this painting and this statue ; second , inasmuch as it tends toward the image considered qua image . If we consider it as a thing , namely a painting or a ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write