The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 58
... intelligible object of the mind , it cannot possibly serve as a model for material objects like the works of man's art . These are not intelligible ideas , but material things . So the goal is set lower and art is assigned the more ...
... intelligible object of the mind , it cannot possibly serve as a model for material objects like the works of man's art . These are not intelligible ideas , but material things . So the goal is set lower and art is assigned the more ...
Pagina 67
... intelligible notions , while the other arts suggest emotions , feelings or passions , but all of them act as symbols . Hence symbolism would be the very essence of art . Indeed all arts use symbols : a sculpture representing a dog lying ...
... intelligible notions , while the other arts suggest emotions , feelings or passions , but all of them act as symbols . Hence symbolism would be the very essence of art . Indeed all arts use symbols : a sculpture representing a dog lying ...
Pagina 126
... intelligible to us than the art whereby he caused its actual existence . The wise thing is to say nothing about the work ; the philosopher literally does not know what it is . The evolution of modern art invites us to approach the prob ...
... intelligible to us than the art whereby he caused its actual existence . The wise thing is to say nothing about the work ; the philosopher literally does not know what it is . The evolution of modern art invites us to approach the prob ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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