The arts of the beautiful |
Dall'interno del libro
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Pagina 46
Because radiance (claritas) belongs to it inasmuch as it is actually perceived, it
effects the transition from calology to esthetics. Its most general consequence is
to deprive judgments of beauty of the universality proper to judgments of truth.
Because radiance (claritas) belongs to it inasmuch as it is actually perceived, it
effects the transition from calology to esthetics. Its most general consequence is
to deprive judgments of beauty of the universality proper to judgments of truth.
Pagina 88
There lies the dividing line between the esthetic judgments of the artists and
those of the public, for even when they agree, which is not always the case, it is
never for the same reasons. It may be taken for granted that, generally speaking,
...
There lies the dividing line between the esthetic judgments of the artists and
those of the public, for even when they agree, which is not always the case, it is
never for the same reasons. It may be taken for granted that, generally speaking,
...
Pagina 151
It is typical of a philosopher's attitude that Kant's approach to art was through
esthetic judgment. His classical Critique of Judgment contains two pages about
art, constituting Section 43 on "Art in General," in Book II, Part 1. Short as it is, it is
well ...
It is typical of a philosopher's attitude that Kant's approach to art was through
esthetic judgment. His classical Critique of Judgment contains two pages about
art, constituting Section 43 on "Art in General," in Book II, Part 1. Short as it is, it is
well ...
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Indice
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind musician nature never Nietzsche notion object ontology operations painter painting Paul Valery perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark Saint sake sculpture seminal form sense sensible qualities sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valery verse words worship write