The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 40
... judgments which in each particular case decide on the presence of the beautiful or on its absence belong to the philosophy of art , that is to say to its metaphysics or ontology . The most striking of these objective conditions is that ...
... judgments which in each particular case decide on the presence of the beautiful or on its absence belong to the philosophy of art , that is to say to its metaphysics or ontology . The most striking of these objective conditions is that ...
Pagina 46
... judgments of beauty of the universality proper to judgments of truth . The ultimate reason for the difference is that truth is grasped by the intellect acting in its capacity as an immaterial power of knowing and abstracting from ...
... judgments of beauty of the universality proper to judgments of truth . The ultimate reason for the difference is that truth is grasped by the intellect acting in its capacity as an immaterial power of knowing and abstracting from ...
Pagina 88
... judgments . The works of other artists are per- ceived by them as a challenge , often as a threat , no less than as an object of pure contemplation . In short , the objects of those two classes of judgments are not the same . Whether we ...
... judgments . The works of other artists are per- ceived by them as a challenge , often as a threat , no less than as an object of pure contemplation . In short , the objects of those two classes of judgments are not the same . Whether we ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
6 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write