The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 22
... kind of beauty is to be given , so to speak , into the bargain . Industrial beauty is true beauty and in- dustrial arts are true arts - only they are not fine arts . The proper function of the so - called fine arts is to produce objects ...
... kind of beauty is to be given , so to speak , into the bargain . Industrial beauty is true beauty and in- dustrial arts are true arts - only they are not fine arts . The proper function of the so - called fine arts is to produce objects ...
Pagina 62
... kind of grandfather , but age was irrelevant to the problem . What makes the Elegy a masterpiece is not that Goethe was in love when he wrote it , but that he was Goethe , a poet , and more than ever a master of his art . This is so ...
... kind of grandfather , but age was irrelevant to the problem . What makes the Elegy a masterpiece is not that Goethe was in love when he wrote it , but that he was Goethe , a poet , and more than ever a master of his art . This is so ...
Pagina 74
... kind of being from which art springs is not the abstract notion that is the proper object of ontological speculation . It is not being as known ; it is rather the being that is and acts because it itself is act . All men have in ...
... kind of being from which art springs is not the abstract notion that is the proper object of ontological speculation . It is not being as known ; it is rather the being that is and acts because it itself is act . All men have in ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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