The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 116
... less in multiplicity than in unity , so also , and for the same reason , there is less in the other than in the same , for even should we add up an infinite number of different images of one and the same object , there would still be ...
... less in multiplicity than in unity , so also , and for the same reason , there is less in the other than in the same , for even should we add up an infinite number of different images of one and the same object , there would still be ...
Pagina 121
... less and less representative . Nothing stopped the artists on this road , but their very courage inexorably led each one of the fine arts into a deadlock out of which they are still looking for an escape . First poetry forbade itself to ...
... less and less representative . Nothing stopped the artists on this road , but their very courage inexorably led each one of the fine arts into a deadlock out of which they are still looking for an escape . First poetry forbade itself to ...
Pagina 166
... less than those of sight . In its essentials , the whole teaching of the Church is contained in those pithy sentences . It constitutes a collective experience of unsurpassable richness and , by the same token , a fruitful subject matter ...
... less than those of sight . In its essentials , the whole teaching of the Church is contained in those pithy sentences . It constitutes a collective experience of unsurpassable richness and , by the same token , a fruitful subject matter ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write