The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 80
... and want to live by it without being able to create it , a chance to live in close
contact with artists . Even if one lacks the ability to do or to make , one can always
talk or judge . Thus the historian discusses campaigns without having fought any
...
... and want to live by it without being able to create it , a chance to live in close
contact with artists . Even if one lacks the ability to do or to make , one can always
talk or judge . Thus the historian discusses campaigns without having fought any
...
Pagina 113
Conscious at last of the role played in our lives by the fine arts , we are the ones
who attribute to the sixteenth - century philosophers an interest in the makers of
beauty which their writings little suggest . The document most often quoted in this
...
Conscious at last of the role played in our lives by the fine arts , we are the ones
who attribute to the sixteenth - century philosophers an interest in the makers of
beauty which their writings little suggest . The document most often quoted in this
...
Pagina 114
As was said above , Schopenhauer himself , whose universe was essentially a
will to live , saw in art a means of redemption from life by contemplation . In
Chapter XIX of the Parerga und paralipomena dealing with “ The Metaphysics of
the ...
As was said above , Schopenhauer himself , whose universe was essentially a
will to live , saw in art a means of redemption from life by contemplation . In
Chapter XIX of the Parerga und paralipomena dealing with “ The Metaphysics of
the ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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