The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 93
... matter remains and form passes away " ; in both orders , matter is what subsists as subject of the change when a being is in the process of becoming ; finally , in both orders , matter is that which , in the process of becoming , plays ...
... matter remains and form passes away " ; in both orders , matter is what subsists as subject of the change when a being is in the process of becoming ; finally , in both orders , matter is that which , in the process of becoming , plays ...
Pagina 94
... matter employed by the artist . The function of the form superimposed by the artist is to turn stone , copper , sounds or words into as many matters of various works of art . One hesitates once more to restate a principle so clearly ...
... matter employed by the artist . The function of the form superimposed by the artist is to turn stone , copper , sounds or words into as many matters of various works of art . One hesitates once more to restate a principle so clearly ...
Pagina 95
... matter . On the other hand , since the matter in each instance enters into the works with its own natural forms , it is to be expected that the matter of an art will contribute to determine its specific nature . The general ...
... matter . On the other hand , since the matter in each instance enters into the works with its own natural forms , it is to be expected that the matter of an art will contribute to determine its specific nature . The general ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
6 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write