The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 115
... they apprehend is basically the same . Bergson ' s question is : “ How is it
possible not to be impressed with the resemblance obtaining between Leonardo
da Vinci ' s aesthetics and Aristotle ' s metaphysics such as Ravaisson interprets
it ?
... they apprehend is basically the same . Bergson ' s question is : “ How is it
possible not to be impressed with the resemblance obtaining between Leonardo
da Vinci ' s aesthetics and Aristotle ' s metaphysics such as Ravaisson interprets
it ?
Pagina 128
Rather , our concern is the extreme difficulty Christian theology always had in
searching the language of Greek metaphysics for expressions that would fit the
God of the JudaeoChristian religion . A MAKING GOD Nothing had prepared
Greek ...
Rather , our concern is the extreme difficulty Christian theology always had in
searching the language of Greek metaphysics for expressions that would fit the
God of the JudaeoChristian religion . A MAKING GOD Nothing had prepared
Greek ...
Pagina 141
after Christian theologians grafted a doctrine of creation upon Greek metaphysics
, to which this notion was foreign . They then had to penetrate deep enough
within the notion of being itself until they reached the point where the idea of a ...
after Christian theologians grafted a doctrine of creation upon Greek metaphysics
, to which this notion was foreign . They then had to penetrate deep enough
within the notion of being itself until they reached the point where the idea of a ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write