The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 25
... natural beauty when he creates nature , but the proper end of nature is not to be beautiful , so God creates no object whose proper end is to be beautiful . God creates no paintings , no symphonies - even the God - inspired Psalms are ...
... natural beauty when he creates nature , but the proper end of nature is not to be beautiful , so God creates no object whose proper end is to be beautiful . God creates no paintings , no symphonies - even the God - inspired Psalms are ...
Pagina 122
... nature was basically a revolt against nature itself , and since nature is given in specula-- tive knowledge , the recent evolution of the fine arts expresses , on the part of man the maker , homo faber , a carefully thought - out ...
... nature was basically a revolt against nature itself , and since nature is given in specula-- tive knowledge , the recent evolution of the fine arts expresses , on the part of man the maker , homo faber , a carefully thought - out ...
Pagina 130
... nature . From that moment on , it belonged to man to create nature and , therefore , to say what nature is . Contemporary atheistic humanism here re- veals both its most profound depths and the source of our great- est perils . For ...
... nature . From that moment on , it belonged to man to create nature and , therefore , to say what nature is . Contemporary atheistic humanism here re- veals both its most profound depths and the source of our great- est perils . For ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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