The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 116
That there is less in the many than in the one can be seen if we try to reconstitute
the number one from the series one half plus one third , plus one sixth , plus one
twelfth and so on ; the series will go on indefinitely and multiplicity will never ...
That there is less in the many than in the one can be seen if we try to reconstitute
the number one from the series one half plus one third , plus one sixth , plus one
twelfth and so on ; the series will go on indefinitely and multiplicity will never ...
Pagina 123
It is better that they were never integrated in a system which would have made
them still more dangerous . The excuse for such claims is also the cause of them .
It is the subjection of being to knowledge , whereas the primary truth in art as well
...
It is better that they were never integrated in a system which would have made
them still more dangerous . The excuse for such claims is also the cause of them .
It is the subjection of being to knowledge , whereas the primary truth in art as well
...
Pagina 141
Inversely , there are some aspects of being qua being that are never better seen
than from the point of view of art . Being helps to understand art as much as the
latter helps to understand the nature of being . The best way of becoming familiar
...
Inversely , there are some aspects of being qua being that are never better seen
than from the point of view of art . Being helps to understand art as much as the
latter helps to understand the nature of being . The best way of becoming familiar
...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write