The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 28
... object of knowledge desired after the same manner as the most ardently desired objects of the will . We do not want the possession of the beautiful object in order to own it . Apart of course from those who invest their money in things ...
... object of knowledge desired after the same manner as the most ardently desired objects of the will . We do not want the possession of the beautiful object in order to own it . Apart of course from those who invest their money in things ...
Pagina 58
... object of the mind , it cannot possibly serve as a model for material objects like the works of man's art . These are not intelligible ideas , but material things . So the goal is set lower and art is assigned the more modest task of ...
... object of the mind , it cannot possibly serve as a model for material objects like the works of man's art . These are not intelligible ideas , but material things . So the goal is set lower and art is assigned the more modest task of ...
Pagina 80
... object it is to describe any kind of reality , provided only it exists prior to its description and consti- tutes for the writer an object to imitate . History is a case in point , for although in its own way it truly invents and ...
... object it is to describe any kind of reality , provided only it exists prior to its description and consti- tutes for the writer an object to imitate . History is a case in point , for although in its own way it truly invents and ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write