The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 20
Its beginnings could be safely compared to the spontaneous need to do
something which is observed in young children , and becomes still more evident
in those adults whose hands are constantly busy making things . It is impossible
to say ...
Its beginnings could be safely compared to the spontaneous need to do
something which is observed in young children , and becomes still more evident
in those adults whose hands are constantly busy making things . It is impossible
to say ...
Pagina 73
Mimicry is part of his nature , as we observe it in children . ... Aristotle certainly
came very close to the truth , but imitation alone was holding his interest , and
none of the causes he so cleverly observed is ever mentioned again in his
Poetics .
Mimicry is part of his nature , as we observe it in children . ... Aristotle certainly
came very close to the truth , but imitation alone was holding his interest , and
none of the causes he so cleverly observed is ever mentioned again in his
Poetics .
Pagina 101
No doubt , the seminal form cannot be observed apart from the artist who
conceives it and the work wherein it finds its final expression . In this it differs from
the germs whence living beings are born ; still , when the artist goes through the ...
No doubt , the seminal form cannot be observed apart from the artist who
conceives it and the work wherein it finds its final expression . In this it differs from
the germs whence living beings are born ; still , when the artist goes through the ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
5 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write