The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 20
... observed in young children , and becomes still more evident in those adults whose hands are constantly busy making things . It is impossible to say with any degree of certainty what proportion of this creative activity is spent with ...
... observed in young children , and becomes still more evident in those adults whose hands are constantly busy making things . It is impossible to say with any degree of certainty what proportion of this creative activity is spent with ...
Pagina 73
... observe it in children . Among the ani- mals , man is an imitator in the highest degree . The second cause is that ... observed is ever mentioned again in his Poetics . Such is the origin of the concept of the “ imita- tion of nature ...
... observe it in children . Among the ani- mals , man is an imitator in the highest degree . The second cause is that ... observed is ever mentioned again in his Poetics . Such is the origin of the concept of the “ imita- tion of nature ...
Pagina 101
... observation . Such is certainly not the case with the germinal forms from which artifacts are born , for they are ... observed apart from the artist who con- ceives it and the work wherein it finds its final expression . In this it ...
... observation . Such is certainly not the case with the germinal forms from which artifacts are born , for they are ... observed apart from the artist who con- ceives it and the work wherein it finds its final expression . In this it ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write