The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 17
... operations , it pertains to meta- physics ; therefore the philosophy of art holds such an act to be a principle , the first principle for that matter , and consequently takes it for granted . The operations constitutive of knowledge are ...
... operations , it pertains to meta- physics ; therefore the philosophy of art holds such an act to be a principle , the first principle for that matter , and consequently takes it for granted . The operations constitutive of knowledge are ...
Pagina 18
... operations of man : to know , to do and to make , to which correspond the three principal disciplines that cover all the operations of man : science , ethics and art . Man is one , and he is entirely involved in every one of his acts ...
... operations of man : to know , to do and to make , to which correspond the three principal disciplines that cover all the operations of man : science , ethics and art . Man is one , and he is entirely involved in every one of his acts ...
Pagina 85
... operations that produce it . To know a proposition or a demonstration is to form it . There is therefore a fundamental difference between the operations of art , whose results are works distinct from the mind and even from the man ...
... operations that produce it . To know a proposition or a demonstration is to form it . There is therefore a fundamental difference between the operations of art , whose results are works distinct from the mind and even from the man ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write