The arts of the beautiful |
Dall'interno del libro
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Pagina 11
In painting that portrait, the chief concern of Whistler was not "to paint a likeness
of his mother but to do something quite different." What was it? According to John
Can- aday: "Its real subject is a mood, a mood compounded of gentleness, ...
In painting that portrait, the chief concern of Whistler was not "to paint a likeness
of his mother but to do something quite different." What was it? According to John
Can- aday: "Its real subject is a mood, a mood compounded of gentleness, ...
Pagina 163
When in 1573, at Venice, the Tribunal of the Inquisition charged Veronese with
introducing in his Feast in the House of Simon elements unsuitable for religious
painting, the judges were not objecting to the picture as a work of art. They knew
...
When in 1573, at Venice, the Tribunal of the Inquisition charged Veronese with
introducing in his Feast in the House of Simon elements unsuitable for religious
painting, the judges were not objecting to the picture as a work of art. They knew
...
Pagina 173
Thomas Aquinas can again help us make the necessary distinctions. He does not
discuss the nature of paintings as images and as works of art. The philosophy of
the fine arts does not seem to have held his attention, but we saw him dealing ...
Thomas Aquinas can again help us make the necessary distinctions. He does not
discuss the nature of paintings as images and as works of art. The philosophy of
the fine arts does not seem to have held his attention, but we saw him dealing ...
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Indice
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind musician nature never Nietzsche notion object ontology operations painter painting Paul Valery perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark Saint sake sculpture seminal form sense sensible qualities sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valery verse words worship write