The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 45
... poems ? His was a creative mood ; we passively perceive the affective overtones his work evokes in our personal sensibility . Generally speaking , who can guess if his own personal response in any degree answers what the poem , the ...
... poems ? His was a creative mood ; we passively perceive the affective overtones his work evokes in our personal sensibility . Generally speaking , who can guess if his own personal response in any degree answers what the poem , the ...
Pagina 135
... poem The Raven , " that no one point in its composition is referable either to accident or to intuition , that the work proceeded , step by step , to its completion with the precision and rigid consequence of a mathematical problem ...
... poem The Raven , " that no one point in its composition is referable either to accident or to intuition , that the work proceeded , step by step , to its completion with the precision and rigid consequence of a mathematical problem ...
Pagina 147
... poem means to them and what others say it means . The most awkward moment comes when the critic , re- sponding to the challenge , asks the poet for a commentary upon his own poem , for the meaning of a poem is not something that can be ...
... poem means to them and what others say it means . The most awkward moment comes when the critic , re- sponding to the challenge , asks the poet for a commentary upon his own poem , for the meaning of a poem is not something that can be ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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