The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 66
... precisely because he does not feel sorrow and has nothing to express . Even if he succeeds in shedding real tears , still he is not really crying . He who really suffers does not express anything , he just cries . So also with painters ...
... precisely because he does not feel sorrow and has nothing to express . Even if he succeeds in shedding real tears , still he is not really crying . He who really suffers does not express anything , he just cries . So also with painters ...
Pagina 91
... precisely what they are . Referring to the well - known distinction between the existence of beings and their essence , we might say that the artist does not cause the absolute existence of his works , but their es- sence . Using ...
... precisely what they are . Referring to the well - known distinction between the existence of beings and their essence , we might say that the artist does not cause the absolute existence of his works , but their es- sence . Using ...
Pagina 156
... precisely that which , preventing it from being poetry , made it prose . Eckermann was only Eckermann , but what about Goethe himself ? Would we entrust him with a class in art appre- ciation ? Not as far as music is concerned , for he ...
... precisely that which , preventing it from being poetry , made it prose . Eckermann was only Eckermann , but what about Goethe himself ? Would we entrust him with a class in art appre- ciation ? Not as far as music is concerned , for he ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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