The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 25
There is no human presence , but rather an inhuman absence behind nature ;
should any presence fill up that absence it could be only God ' s . It does not help
to object that God is an artist , for God is pure Being , so that God ' s way of being
...
There is no human presence , but rather an inhuman absence behind nature ;
should any presence fill up that absence it could be only God ' s . It does not help
to object that God is an artist , for God is pure Being , so that God ' s way of being
...
Pagina 63
The bed of a dried stream does not " express ” the river that made it ; it expresses
nothing at all ; all it does is exist , but since it is the effect of a cause , an intelligent
being can infer from its presence the past existence of a river . And so again ...
The bed of a dried stream does not " express ” the river that made it ; it expresses
nothing at all ; all it does is exist , but since it is the effect of a cause , an intelligent
being can infer from its presence the past existence of a river . And so again ...
Pagina 143
The curious point is rather that , aware of the presence of something particularly
remarkable in the perceived object , some will resist it by rejecting it instead of
welcoming with gratitude the joy it offers . This negativism toward art is
sometimes ...
The curious point is rather that , aware of the presence of something particularly
remarkable in the perceived object , some will resist it by rejecting it instead of
welcoming with gratitude the joy it offers . This negativism toward art is
sometimes ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write