The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 25
... presence is so sensibly felt that artistic experience is linked with our awareness of it . There is no human presence , but rather an inhuman absence behind nature ; should any presence fill up that absence it could be only God's . 1 It ...
... presence is so sensibly felt that artistic experience is linked with our awareness of it . There is no human presence , but rather an inhuman absence behind nature ; should any presence fill up that absence it could be only God's . 1 It ...
Pagina 63
... presence the past existence of a river . And so again with the stone blackened by smoke found in a cavern by the speleologist ; it says nothing , it expresses nothing , but the man who finds it immediately draws the inference from smoke ...
... presence the past existence of a river . And so again with the stone blackened by smoke found in a cavern by the speleologist ; it says nothing , it expresses nothing , but the man who finds it immediately draws the inference from smoke ...
Pagina 143
... presence of something particularly remarkable in the perceived object , some will resist it by rejecting it instead of welcoming with gratitude the joy it offers . This negativism toward art is sometimes obvious . Those who do not love ...
... presence of something particularly remarkable in the perceived object , some will resist it by rejecting it instead of welcoming with gratitude the joy it offers . This negativism toward art is sometimes obvious . Those who do not love ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write