The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 17
Precisely because the act , in virtue of which being is , finds itself presupposed in
all its further operations , it pertains to metaphysics ; therefore the philosophy of
art holds such an act to be a principle , the first principle for that matter , and ...
Precisely because the act , in virtue of which being is , finds itself presupposed in
all its further operations , it pertains to metaphysics ; therefore the philosophy of
art holds such an act to be a principle , the first principle for that matter , and ...
Pagina 26
French classical art produced its masterpieces in spite of the fatal principle laid
down by Boileau , that “ nothing is beautiful but truth , only truth is pleasing . " A
further extension of the principle led to a definition of truth in art as conformity with
...
French classical art produced its masterpieces in spite of the fatal principle laid
down by Boileau , that “ nothing is beautiful but truth , only truth is pleasing . " A
further extension of the principle led to a definition of truth in art as conformity with
...
Pagina 94
FOCILLON ' S PRINCIPLE In this superdetermination by art of already informed
natural substances , the determining form specifically differs from the natural
forms it determines . The proper effect of natural forms is to produce the natural ...
FOCILLON ' S PRINCIPLE In this superdetermination by art of already informed
natural substances , the determining form specifically differs from the natural
forms it determines . The proper effect of natural forms is to produce the natural ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write