The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 140
The difficulties inherent in the problem of art become still more evident in the
theologians ' embarrassment when they come to grips with the problem of
creation . The universe of becoming looks to them as if it took a creator to account
for its ...
The difficulties inherent in the problem of art become still more evident in the
theologians ' embarrassment when they come to grips with the problem of
creation . The universe of becoming looks to them as if it took a creator to account
for its ...
Pagina 146
It is hardly possible to speak about these problems without implicitly raising the
issue of art criticism . ... But this is not the problem , for no one can reasonably
deny anybody the right , natural and therefore imprescriptible , to formulate his ...
It is hardly possible to speak about these problems without implicitly raising the
issue of art criticism . ... But this is not the problem , for no one can reasonably
deny anybody the right , natural and therefore imprescriptible , to formulate his ...
Pagina 169
PICTURE AND LIKENESS Many will think that so complex a problem cannot be
solved on the basis of common practice ; but religious art is not an abstract notion
to be defined at will by philosophers . It is first a fact , and what philosophy can ...
PICTURE AND LIKENESS Many will think that so complex a problem cannot be
solved on the basis of common practice ; but religious art is not an abstract notion
to be defined at will by philosophers . It is first a fact , and what philosophy can ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write