The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 32
... qualities among which it stands out as the most remarkable . Gray land- scapes , dull tones , muffled sounds and words spoken in a low voice have as much or even more effectiveness on our sensitivity than brilliance properly so called ...
... qualities among which it stands out as the most remarkable . Gray land- scapes , dull tones , muffled sounds and words spoken in a low voice have as much or even more effectiveness on our sensitivity than brilliance properly so called ...
Pagina 47
... qualities . These variations are reflected in esthetic judgments and , to a large extent , they account for their diversity . The basic inability to respond objectively to certain classes of sensible stimuli is not something of which we ...
... qualities . These variations are reflected in esthetic judgments and , to a large extent , they account for their diversity . The basic inability to respond objectively to certain classes of sensible stimuli is not something of which we ...
Pagina 49
Etienne Gilson. art to qualities supposedly present in the artist's mind . Each of these qualities then becomes the alleged explanation of its objec- tive counterpart in the work itself . This can be observed , for instance , in the ...
Etienne Gilson. art to qualities supposedly present in the artist's mind . Each of these qualities then becomes the alleged explanation of its objec- tive counterpart in the work itself . This can be observed , for instance , in the ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write