The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 161
be seen from the history of religious architecture , sculpture , painting and music .
Nor should the history of religious poetry be neglected in this respect . Religion
exists in religious men , and as soon as man has to do or to make something , for
...
be seen from the history of religious architecture , sculpture , painting and music .
Nor should the history of religious poetry be neglected in this respect . Religion
exists in religious men , and as soon as man has to do or to make something , for
...
Pagina 167
In other words , religion has everything to gain by having at its disposal artistic
representations of its mysteries which ... The question is whether any form of pure
art , imitative or otherwise , is religious by virtue of its very beauty , or whether it ...
In other words , religion has everything to gain by having at its disposal artistic
representations of its mysteries which ... The question is whether any form of pure
art , imitative or otherwise , is religious by virtue of its very beauty , or whether it ...
Pagina 182
It is natural that those who have nothing else should at least have that in order to
experience what a properly religious emotion can be , an indirect and fleeting
contact with the divine . Art creates beauty . The beautiful is a transcendental of ...
It is natural that those who have nothing else should at least have that in order to
experience what a properly religious emotion can be , an indirect and fleeting
contact with the divine . Art creates beauty . The beautiful is a transcendental of ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write