The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 115
Platonic Idea or the Aristotelian essence , it remains something immovable that
subsists unchanged under the appearances of movement . In Bergson ' s portrait
of Ravaisson , it is hard to tell which traits belong to the painter and which to the ...
Platonic Idea or the Aristotelian essence , it remains something immovable that
subsists unchanged under the appearances of movement . In Bergson ' s portrait
of Ravaisson , it is hard to tell which traits belong to the painter and which to the ...
Pagina 122
It would seem that the terminal point of this evolution has now been reached ,
since musicians find themselves entirely free from all bonds ; one difficulty
remains , however , for ever since it has been left without any structured matter to
inform ...
It would seem that the terminal point of this evolution has now been reached ,
since musicians find themselves entirely free from all bonds ; one difficulty
remains , however , for ever since it has been left without any structured matter to
inform ...
Pagina 131
There thus remains a field , very narrow indeed , but real , within which man ' s
power seems truly free to exercise itself . It is not the domain of being , for man
has not the power to give actual existence and to produce something from ...
There thus remains a field , very narrow indeed , but real , within which man ' s
power seems truly free to exercise itself . It is not the domain of being , for man
has not the power to give actual existence and to produce something from ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write