The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 9
... a remark of the teacher of modeling : “ Frances is a good child , it ' s a pity she
cannot express herself in clay . ” Frances was eight or nine years old ; she only
lacked the gift so lavishly bestowed by nature upon Michelangelo and Donatello .
... a remark of the teacher of modeling : “ Frances is a good child , it ' s a pity she
cannot express herself in clay . ” Frances was eight or nine years old ; she only
lacked the gift so lavishly bestowed by nature upon Michelangelo and Donatello .
Pagina 43
The same remark applies to beautiful literary descriptions of disgusting objects
and scenes , as well as to systematically discordant music . As to pieces of
sculpture , painting or writing devoid of all meaning , they create an
embarrassment of ...
The same remark applies to beautiful literary descriptions of disgusting objects
and scenes , as well as to systematically discordant music . As to pieces of
sculpture , painting or writing devoid of all meaning , they create an
embarrassment of ...
Pagina 180
The same remark applies to the work of art historians today . A complete
biography of the artist seems to be required for a valid appreciation of his works .
Whether a painter or a musician , he is analyzed , psychoanalyzed , sociologized
and ...
The same remark applies to the work of art historians today . A complete
biography of the artist seems to be required for a valid appreciation of his works .
Whether a painter or a musician , he is analyzed , psychoanalyzed , sociologized
and ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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