The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
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Pagina 43
... represents , certain artists systematically compel themselves to represent the ugly , which is the absence of unity , of perfection , of harmony and therefore of being . Others prefer to represent the shapeless , that is to say , the ...
... represents , certain artists systematically compel themselves to represent the ugly , which is the absence of unity , of perfection , of harmony and therefore of being . Others prefer to represent the shapeless , that is to say , the ...
Pagina 163
... representing the form of the saving cross , or the images of God the Father , of His Son our Saviour Jesus Christ ... represented secular scenes unsuitable for Christian art . The notes of the trial have been preserved , and they are ...
... representing the form of the saving cross , or the images of God the Father , of His Son our Saviour Jesus Christ ... represented secular scenes unsuitable for Christian art . The notes of the trial have been preserved , and they are ...
Pagina 170
... represents . Consequently , just as what we perceive in the image is the model , so also what we worship in the ... represent , it becomes clear that artistic beauty is required only to the extent that it increases the piety of the ...
... represents . Consequently , just as what we perceive in the image is the model , so also what we worship in the ... represent , it becomes clear that artistic beauty is required only to the extent that it increases the piety of the ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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