The Arts of the Beautiful-- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 32
Sensible qualities have the power to act upon our affectivity . Not only do they
move us , but there is no doubt that the emotions they stir within us differ among
themselves like the sensible qualities which caused them . The correspondence
is ...
Sensible qualities have the power to act upon our affectivity . Not only do they
move us , but there is no doubt that the emotions they stir within us differ among
themselves like the sensible qualities which caused them . The correspondence
is ...
Pagina 41
In the present case , the first of these data is the existence of sensible structures ,
natural or artificial , such that their perception is accompanied with pleasure and
inspires the desire to renew it . The fact that structures of this kind can be either ...
In the present case , the first of these data is the existence of sensible structures ,
natural or artificial , such that their perception is accompanied with pleasure and
inspires the desire to renew it . The fact that structures of this kind can be either ...
Pagina 47
In music as in the other arts , all intermediate degrees are possible between
absolute insensitiveness and extreme sensitivity to sensible qualities . These
variations are reflected in esthetic judgments and , to a large extent , they account
for ...
In music as in the other arts , all intermediate degrees are possible between
absolute insensitiveness and extreme sensitivity to sensible qualities . These
variations are reflected in esthetic judgments and , to a large extent , they account
for ...
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Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 21 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write