The Seven Beauties of Science FictionWesleyan University Press, 1 ott 2012 - 225 pagine This major critical work from one of the preeminent voices in science fiction scholarship reframes the genre as a way of understanding today’s world. As the application of technoscience increasingly transforms every aspect of life, science fiction has become an essential mode of imagining the horizons of possibility. Though the broad scope of science fiction may vary in artistic quality and sophistication, it shares a desire to imagine a collective future for the human species and the world. A strikingly high proportion of today’s films, commercial art, popular music, video games, and non-genre fiction are what Csicsery-Ronay calls “science fictional” —stimulating science-fictional habits of mind. We no longer treat science fiction as merely a genre-engine producing formulaic effects, but as a mode of awareness, which frames experiences as if they were aspects of science fiction. The Seven Beauties of Science Fiction describes science fiction as a constellation of seven diverse cognitive attractions that are particularly formative of science-fictionality. These are the “seven beauties” of the title: fictive neology, fictive novums, future history, imaginary science, the science-fictional sublime, the science-fictional grotesque, and the Technologiade, or the epic of technoscience’s development into a global regime. |
Sommario
Introduction Science Fiction and This Moment | 1 |
First Beauty Fictive Neology | 13 |
Second Beauty Fictive Novums | 47 |
Third Beauty Future History | 76 |
Fourth Beauty Imaginary Science | 111 |
Fifth Beauty The ScienceFictional Sublime | 146 |
Sixth Beauty The ScienceFictional Grotesque | 182 |
Seventh Beauty The Technologiade | 216 |
Concluding Unscientific Postscript The Singularity and Beyond | 262 |
Notes | 267 |
295 | |
317 | |
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