The Politics of Story in Victorian Social Fiction

action activity Alton Locke argument aristocratic Bellingham Bounderby Bounderby's Brantlinger Brontë Caroline chapter character Charles Kingsley Charlotte Brontë Chartism circus contradictions conventional create critical Dickens Dickens's discussion Disraeli Disraeli's domestic Elizabeth Gaskell Esther factory fantasy father feeling Felix Holt female fictional Frances Trollope Gallagher Gaskell's genteel gentility George Eliot Geraldine Jewsbury Gradgrind Harold idea ideal ideology imagination industrial novels Industrial Reformation innocence Jermyn Jewsbury Jewsbury's Kingsley Kingsley's labor London Luddism Luddite Manchester Margaret Marian Withers marriage Mary Barton melodrama metaphor Michael Armstrong middle-class heroines moral narrative narrator nature Oliver Twist Oliver's past pastoral paternalism paternalist plot political radical realm rescue rhetoric romantic Ruth Ruth's scene separate shape Shirley social change social order social-problem novels society Stephen Stephen Morley Stone story Sybil Thornton tion Transome Transome's Trollope Trollope's Victorian vision William Langshawe woman women Wordsworthian workers working-class