Visual Culture: What is visual culture studies?Joanne Morra, Marquard Smith Taylor & Francis, 2006 - 400 pagine These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain. |
Sommario
Introduction | 1 |
Index 435 | 6 |
1 | 17 |
some visual implications | 18 |
Introduction to Visual Culture 21 | 21 |
conceiving the intersection of feminism | 34 |
Keplers model of the eye and | 39 |
What is visual culture? | 43 |
General introduction to Vision and Textuality | 165 |
Art and objecthood 293 | 189 |
Introduction to Visual Theory | 192 |
The other history of intercultural performance | 195 |
topographies of curiosity 314 | 204 |
Extract from The tourist gaze | 220 |
Studying visual culture | 223 |
geographical | 235 |
Modernity | 50 |
Dialectic of Enlightenment | 65 |
inscribing lesbian gay and queer presences | 67 |
an introduction | 78 |
Extract from The Virgin Mary in Islamic tradition | 81 |
Techniques of the observer | 88 |
diasporic visual | 91 |
Introduction to Orientalism 119 | 104 |
a conversation on what I | 107 |
The work of art in the age of mechanical reproduction | 114 |
Preface to Vision and Visuality | 116 |
Worlds | 120 |
Introduction to The Block Reader in Visual Culture | 130 |
Extract from The home theater | 138 |
a critique of visual culture | 147 |
History | 161 |
film studies in the | 237 |
Preface to the book A Skeptical Introduction to Visual | 254 |
Conversations in visual culture | 261 |
Visual essentialism and the object of visual culture | 269 |
Extract from Summa Theologiae Volume II | 291 |
What is visual culture? | 298 |
Stabat Mater | 304 |
Welcome to the cultural revolution | 312 |
Even in elephant dung there is beauty | 324 |
Getting the Warhol we deserve | 326 |
representation without | 327 |
Cultural relativism and the visual turn | 343 |
Images | 344 |
Questionnaire on visual culture | 359 |
Parole e frasi comuni
aesthetic African analysis Andy Warhol Arab argues art history articulation black artists body century Chapter Chicago cinema complex concept contemporary context critical critique defined diaspora disabled figure disciplinary disciplines discourse discussion dominant emergence essay ethnic example feminism feminist field film studies forms gaze gender global Hal Foster historians human identity institutional interdisciplinary interpretation Introduction issues Lacan language lesbian literary London look mass media meaning Minh-ha mirror stage Mirzoeff modern modernist museums narratives notion object painting particular Paul Gilroy photographs political popular culture postmodern practices produced queer question reading relation representation reprinted rhetorical Roland Barthes Rosalind Krauss Routledge semiotic sense sexual signifier social space specific Stuart Hall sublime television texts textual theory things tion traditional trans understanding University Press viewer vision visual arts Visual Culture Studies visual experience visual images visual studies volume W. J. T. Mitchell Warhol writing York