White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and "buckwheat Notes" |
Dall'interno del libro
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Pagina 8
The music was usually in three parts — air , bass , and counter . The air " lead , " or tune , was sung by males of the higher - voiced type , the bass by the deep - voiced males , and the counter ( a sort of tenor part ) by the females ...
The music was usually in three parts — air , bass , and counter . The air " lead , " or tune , was sung by males of the higher - voiced type , the bass by the deep - voiced males , and the counter ( a sort of tenor part ) by the females ...
Pagina 339
lower octave being below the lower line , the middle or usually used octave being between the lines , and the upper octave being above the upper line . The normal - length note ( one beat , a quarter note ) was the simple figure .
lower octave being below the lower line , the middle or usually used octave being between the lines , and the upper octave being above the upper line . The normal - length note ( one beat , a quarter note ) was the simple figure .
Pagina 348
The Musical Million, its title indicating its appeal to the great masses, grew quickly from an eight-page to the sixteen- page journal that it remained for over three decades. Its first page usually contained one of Kieffer's poems, ...
The Musical Million, its title indicating its appeal to the great masses, grew quickly from an eight-page to the sixteen- page journal that it remained for over three decades. Its first page usually contained one of Kieffer's poems, ...
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Sommario
BEGINNINGS OF AMERICAN GROUP SINGING IN NEW ENGLAND | 3 |
THEIR SPREAD | 11 |
IN THE SHENANDOAH VALLEY | 26 |
Copyright | |
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Altre edizioni - Visualizza tutto
White Spirituals in the Southern Uplands: The Story of the Fasola Folk ... George Pullen Jackson Visualizzazione estratti - 1965 |
White Spirituals in the Southern Uplands: The Story of the Fasola Folk ... George Pullen Jackson Visualizzazione estratti - 1964 |
White Spirituals in the Southern Uplands: The Story of the Fasola Folk ... George Pullen Jackson Anteprima non disponibile - 1933 |
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activities Alabama American appeared Baptist beginning born bound called camp-meeting CHORUS Christian church collection compilers composed conventions copy County Davisson died early edition fasola father four friends Georgia give glory gone hallelujah hand happy Harmony hear heaven hundred hymns Indians interest James Jesus John Kentucky land largely learned living looked Lord meet melody morning Musical Million Negro never North notation notes organization Original poor popular practically present printed published recorded religious roll round rural Sacred Harp seems seen shape shape-note shout singers singing schools SOCH song books sort soul sound South South Carolina southern Southern Harmony spiritual sweet teacher tell Tennessee Texas tion told tune usually Valley Virginia voice Walker White widely young