Antonio Salieri and Viennese Opera

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University of Chicago Press, 1998 - 648 pagine
Many know Antonio Salieri only as Mozart's envious nemesis from the film Amadeus. In this well-illustrated work, John A. Rice shows us what a rich musical and personal history this popular stereotype has missed.

Bringing Salieri, his operas, and eighteenth-century Viennese theater vividly to life, Rice places Salieri where he belongs: no longer lurking in Mozart's shadow, but standing proudly among the leading opera composers of his age. Rice's research in the archives of Vienna and close study of his scores reveal Salieri to have been a prolific, versatile, and adventurous composer for the stage. Within the extraordinary variety of Salieri's approaches to musical dramaturgy, Rice identifies certain habits of orchestration, melodic style, and form as distinctively "Salierian"; others are typical of Viennese opera in general. A generous selection of excerpts from Salieri's works, most previously unpublished, will give readers a fuller appreciation for his musical style—and its influence on Mozart—than was previously possible.

Dall'interno del libro

Sommario

Introduction
1
From Venice to Vienna
9
Theaters Management Personnel
32
Copyright

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Informazioni sull'autore (1998)

John A. Rice is a writer and teacher who has devoted much of his career to the exploration of music in eighteenth- and early nineteenth-century Europe. He is the author of several books, including Antonio Salieri and Viennese Opera, also published by the University of Chicago Press.

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