Narratologies: New Perspectives on Narrative AnalysisDavid Herman Ohio State University Press, 1999 - 396 pagine |
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Pagina 134
... narrator from character to nonindividuated third - person narrator . Gustave Flaubert's Madame Bovary begins as a classical first - person narration told from the point of view of an observer character : " We were at prep , when the ...
... narrator from character to nonindividuated third - person narrator . Gustave Flaubert's Madame Bovary begins as a classical first - person narration told from the point of view of an observer character : " We were at prep , when the ...
Pagina 135
... third - person narrators who are by defi- nition deprived of physical attributes than it is for individuated first - person narrators . Because the third - person narrator is a fundamentally amorphous , bodiless entity , " he " " can ...
... third - person narrators who are by defi- nition deprived of physical attributes than it is for individuated first - person narrators . Because the third - person narrator is a fundamentally amorphous , bodiless entity , " he " " can ...
Pagina 137
... narrator to enter foreign minds without depriving him of a mind of his own . While the naturalizing approach denies any difference between first- and third - person narration , Banfield's model denies any resemblance . Both treat- ments ...
... narrator to enter foreign minds without depriving him of a mind of his own . While the naturalizing approach denies any difference between first- and third - person narration , Banfield's model denies any resemblance . Both treat- ments ...
Sommario
Classical Problems Postclassical Approaches | 14 |
Epistemological Effects of Deferred | 33 |
Is There a Life after Death? Theorizing Authors and Reading | 66 |
Copyright | |
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actants action ambiguity Bakhtin Barthes Cambridge Casaccio character classical narratology close reading cognitive concept configuration construct context counterfactual counterfactual history critics cultural David Herman edited essay ethical example fabula feminist narratology fictional world film formal frame function gaps garden path gender Genette Gérard Genette governess gynecologist happened heterodiegetic historical worlds homodiegetic human interpretation Ishiguro James Phelan Labov language linguistic literary narratives logical meaning metaphor Miss Kenton modal mode morphing narrative analysis narrative theory narratology narrator's novel perspective poetics possible worlds postmodern present primacy effect question rative readers recursive relation representation Rimmon-Kenan role Sarrasine scene scripts semantic semiotic sequence situation sjuzhet soap opera speech Stevens Stevens's story world storytellers structuralist structure taleworld tell temporal textual third-person third-person narration tion tive University Press unreliability unreliable narration viewer visual voice voice-over voice-over narration window