A Study in AestheticsG. Allen & Unwin, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 57
... character type ( iv ) predicates moods or characters , e.g. cheerfulness or sadness , of the object ( as opposed to the physiological type , which thinks of colours and tones as ' cheering ' or ' saddening ' ) . Only one of these types ...
... character type ( iv ) predicates moods or characters , e.g. cheerfulness or sadness , of the object ( as opposed to the physiological type , which thinks of colours and tones as ' cheering ' or ' saddening ' ) . Only one of these types ...
Pagina 321
... character . Not the disembodied , purely mental character which is the object of the psychologist , but , once again , character plastically expressed in a face which interests him . If this interest can in some sense be called dramatic ...
... character . Not the disembodied , purely mental character which is the object of the psychologist , but , once again , character plastically expressed in a face which interests him . If this interest can in some sense be called dramatic ...
Pagina 350
... character is the value of character : in the drama they exist side by side as distinguishable elements in a whole . But not as separate entities . For this particular good in this particular tragedy could never come out but for this ...
... character is the value of character : in the drama they exist side by side as distinguishable elements in a whole . But not as separate entities . For this particular good in this particular tragedy could never come out but for this ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognised colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter meaning mental merely mind moral nature non-aesthetic ontological organic painting perceived object perception perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological tendency terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words