A Study in AestheticsG. Allen & Unwin, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 93
... feeling into ' as a description . Bosanquet's question , How can a feeling get into an object ? is legitimate because it is a question , and not an answer . Bosanquet is asking for an explanation of something which in fast appears to ...
... feeling into ' as a description . Bosanquet's question , How can a feeling get into an object ? is legitimate because it is a question , and not an answer . Bosanquet is asking for an explanation of something which in fast appears to ...
Pagina 268
... feeling of certainty and conviction on the one hand , and the feeling of satisfaction which we experience in apprehending a work of art on the other . The difference between the work of art and the proposition is , he says , that the ...
... feeling of certainty and conviction on the one hand , and the feeling of satisfaction which we experience in apprehending a work of art on the other . The difference between the work of art and the proposition is , he says , that the ...
Pagina 269
... feeling of acceptance , of something more positive than acquiescence . This feeling is the reason why such states may be called beliefs . They share this feeling with , for example , the state which follows the conclusive answering of a ...
... feeling of acceptance , of something more positive than acquiescence . This feeling is the reason why such states may be called beliefs . They share this feeling with , for example , the state which follows the conclusive answering of a ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognised colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter meaning mental merely mind moral nature non-aesthetic ontological organic painting perceived object perception perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological tendency terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words